I love writing, and almost as much as I love writing I love reading
about writing. This morning, as I was easing into my day, I decided to dip into
one of my favourite books on writing and rediscovered something I’d forgotten –
a short section entitled “Choose the number of elements with a purpose in mind”.
Roy Peter Clark claims that the number of elements we choose sends a subliminal
message.
Here’s a quick summary:
One: “That girl is smart.” The reader
focuses on that particular quality and no other. Clark suggests writers should
use one for ‘power’.
Two: “That girl is smart and
sweet.” The reader now has to balance two characteristics. Use two when you
want the reader to contrast and compare.
Three: “That girl is smart, sweet,
and determined.” Three sends a message of wholeness, completeness.
Four: “That girl is smart, sweet,
determined, and neurotic.” Four or more is when we want to “list, inventory,
compile, and expand”. Four or more creates a flow, a ‘literary effect’.
So next time you’re writing, try making a deliberate choice about how
many elements you include, rather than just letting the words run rampant on
the page. Make a conscious decision about number. Play with it. Try different
alternatives and discover the effects for yourself so that your reader can
discover them later.
To illustrate his point, Clark includes some fantastic examples in his
book; I encourage you to take a look. My favourite is the example he gives from
Motherless Brooklyn by Jonathan
Lethem:
Context is everything. Dress me up and see. I’m a carnival barker, an
auctioneer, a downtown performance artist, a speaker in tongues, a senator
drunk on filibuster. I’ve got Tourette’s.
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